Table Of Content
Throwing the windows open to the storm, Roderick points out that the lake surrounding the house seems to glow in the dark, just as Roderick depicted in his paintings, but there is no lightning or other explainable source of the glow. The narrator is impressed with Roderick's paintings and attempts to cheer him by reading with him and listening to his improvised musical compositions on the guitar. Roderick sings "The Haunted Palace", then tells the narrator that he believes the house he lives in to be alive, and that this sentience arises from the arrangement of the masonry and vegetation surrounding it. Further, Roderick believes that his fate is connected to the family mansion.
Spoilers.
Much of the series’ lack of nuance is tied to Flanagan’s difficulties handling Dupin (played by Malcolm Goodwin in flashbacks). On the page, in stories including “The Murders in the Rue Morgue,” the character is the wily progenitor of every fictional detective to follow, but on the screen he’s a passive receiver of information. The character never evinces the necessary internal conflict of a man who yearned for legal recourse against the Ushers — not the Rube Goldberg meat-grinding machine version of justice being meted out in a fashion closer to the Final Destination movies than Poe’s more elegant prose. I trust you see what Flanagan, who wrote or co-wrote nearly every episode and directed much of the series, is doing there?
Series & Book Cover.
It’s easily the most specifically topical of Flanagan’s Netflix minis, fueled by an often palpable anger. But that anger frequently gets in the way of the thematic richness that gave The Haunting of Hill House, The Haunting of Bly Manor and Midnight Mass their mournful charge. For eight hours, instead of rooting for people, you’re rooting for payback, leading to a satisfying, but surface-level experience. The horror auteur uses his familiar acting troupe and the works of Edgar Allan Poe as the backdrop for an eight-episode takedown of an opioid-pushing family that somewhat resembles the Sacklers. In 2002, Ken Russell produced a horror comedy version titles The Fall of the Louse of Usher.
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Real Estate agents don't even like being there in the house, I went to 2 of the open houses there. The real estate agents stayed in the kitchen and wouldn't leave their chairs, some people walked back out three minutes after being in the house. Of course maybe it had to do with the books on serial killers and satanism that were in the reading room next to the music room. Or, maybe it was all of those half melted candles that were set up throughout the house. Or the big carved wooden throne chairs with the velvet red seats that were in the basement scared the people off at the open house.
At first, the narrator ignores the noises, but Roderick becomes increasingly hysterical. Roderick eventually declares that he has been hearing these sounds for days, and that they are being made by his sister, who was in fact alive when she was entombed. It is revealed that Roderick's sister, Madeline, is also ill and falls into cataleptic, deathlike trances.
There’s not a moment where The Fall of the House of Usher doesn’t shine, whether it’s in the gloss of Louboutins or the pools of blood. From Susan Davis’ costume department to the extensive visual effects team, each crew came together to deliver their absolute A-game. The new entry into the Mike Flanagan pantheon is always firing on all cylinders, and it’s sure to join many a fan’s annual rotation of spooky time traditions. First, they offer hints for those with a keen eye for Poe’s work. Every single performance listed above – and even some that are saved for later – is perfect.
The narrator then runs from the house, and, as he does, he notices a flash of moonlight behind him. He turns back in time to see the Moon shining through the suddenly widened crack in the house. As he watches, the House of Usher splits in two and the fragments sink away into the lake.
Each episode owes something vaguely thematic to a different well-known Poe short story, with the manner of death unfolding in a Final Destination-like hodgepodge of calamity. The gruesome deaths of the Ushers (a clear analogue of the Sacklers) are supernatural retribution for America’s opioid crisis, which Usher helped, um, usher in. The ghastliness of the epidemic seems to have summoned a supernatural Lady Death, a.k.a. Carla Gugino, OG member of the Flanagang, who dons a series of personas in order to hasten the Ushers to their fates.
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The first is the obvious trap set by Auggie (the prosecutor). Maddy and Roddy are supposed to be these genius business people, but they can't see his drop about a mole (no I'm sorry, an informant)? Even if they were driven to work against each other, they were driven against the world first. He gives you enough to make you feel validated, but also leaves you hungry. If the 2024 NFL Draft and its standout fashion moments are any indication, this upcoming NFL season is sure to produce even more standout style moments. Williams, the number-one draft pick by the Chicago Bears, was one of the many prospective players that stood out for his unique style.
However, Flanagan is smart enough to shift the Poe narratives ever so slightly for a modern audience. His version of The Tell-Tale Heart is a modern gem, and “The Gold-Bug” is reimagined as a new brand for the Usher company. But the themes remain the same—guilt, obsession, vengeance, and a supernatural sense of justice.
Late one stormy night, Roderick Usher (Bruce Greenwood) invites an investigator named C. He offers to lay out the truth about his family’s criminal, violent history. All of these nightmarish visions are attached to the family drama that Usher offers up for Dupin, giving the season a clever episodic structure in that each chapter intertwines a different Poe source into the overall saga of the Ushers. What’s more, the underlying reason for these deaths — the reason we spend eight episodes watching Usher and his family be stalked by Gugino’s Lady Death — turns out to be essentially Faustian, with everything spelled out and conveniently moralistic.
In the Roger Corman film from 1960, released in the United States as House of Usher, Vincent Price starred as Roderick Usher, Myrna Fahey as Madeline and Mark Damon as Philip Winthrop, Madeline's fiancé. The film was Corman's first in a series of eight films inspired by the works of Edgar Allan Poe. A second silent film version, also released in 1928, was directed by James Sibley Watson and Melville Webber.
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One is the spirit of a little girl who died in the back part of the complex. Long before I lived there, there use to be a pool in the back of the property. A little girl drowned in the pool and so the buiding had the pool closed up and paved over. Tenants have seen small wet footprints go across the lobby floor there. There's a lady in blue who haunts the fourth floor of the building. Any time I had to do laundry downstairs I always felt a bad feeling in that basement.
As guests perused the 2024 Blue Book collection exhibited throughout the Beverly Estate, many sported both classic Blue Book pieces and designs from 2023’s Out of the Blue. Usher wore a pair of Schlumberger’s iconic Bird on a Rock brooches, while Emily Blunt donned the designer’s Tiffany Floret necklace, a showcase of turquoise stones totaling more than 105 carats, surrounded by diamonds and set in platinum and 18-karat yellow gold. Many of the celestial-themed jewels were conceived by famed designer Jean Schlumberger, whose tenure with Tiffany & Co. began in 1956 and lasted until his death in 1987. His talent was so prolific, the high-jewelry workshops in the jeweler’s Fifth Avenue Landmark building continue to produce new pieces based on his archived sketches, many featuring signature elements that range from nature motifs to artful settings that mix yellow gold and platinum. The Outpost House (a house up on Outpost Drive, I can't give out the address). This house is in Hollywood and is known to be haunted by some kind of demonic spirit.
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